Glasgow on Film…

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The nostalgia of the train journey from Newcastle to Edinburgh. Memories planted with the wildflowers in the country. The incomparable sweetness of reuniting with a friend who beams, always, like sunshine. The magic of childish giddiness that keeps you from sleep.

The calm of belonging walking through Glasgow, that liveliness that exalted you on your last trip four years ago. The music: buskers around every corner, vinyl stores, advertisements for bands big and small, venues aplenty. From the uniform Britishness of the city center, to dilapidated store fronts, businesses too poor to prosper, to quaint hipster cafe’s and picturesque town houses. The levels of a city baring the trail of time.

Drunk in the sunshine. A parade of decorated bodies, slurred lyrics and mosh pits. The unity of strangers in the sunset light screaming lyrics to a song you know so well, but which takes on whole new meaning in the moment. The heart surge when the intro to your favourite song starts.  Jumping and losing your mind like you’re fourteen again at your first ever concert, of your most favourite band. That naive certainty that your whole world exists in this songs course. The frantic debrief afterward. Weary and strolling through the city streets, your mate squatting for a piss on the side of the road, chip shop chips, zonking out as soon as your fuzzy head hits the pillow.

More reunions with friends who seem fictional now, existing somewhere that isn’t the world you created together on the other side of the world. The simple contentment of eating good food and chatting good chats. The gratitude that consumes you, being surrounded by inspirational humans that make you believe the world might just be wonderful.

The rarity of a full heart rather than a heavy one as you say “See you later”, because you don’t really believe in the definiteness of goodbye anymore, and hop on the train home, excited to be back in a city that filled you with nothing but dread for so many years.

These shots were taken on a disposable with Ilford black and white film, and whilst the disposable was fun I’d prefer the freedom and the skill involved in an actual film camera, so if you have any advice for beginners I am so very super keen to hear it!  Annnnnd on another note if you ever get the chance to see Catfish and the Bottlemen live, run with it, even if you have to sneak into the venue. One of the best live bands I think I’ve ever seen.

Love and Light. N x